Marina Gadonneix

Laboratories / Observatories

This large-format monograph presents the work of French photographer Marina Gadonneix on the occasion of her solo exhibition at the Centre Pompidou in Paris. The visual corpus, composed of her most important series, is accompanied by critical texts by Florian Ebner and Marcelline Delbecq, as well as an interview with the artist. At the beginning and end of the book, an iconographic atlas displays a set of scientific and artistic images that inspire the artist’s practice and shows the research carried out before each project.

Marina Gadonneix questions the various representations of reality and inscribes her work between fiction and reality, materiality and immateriality, simulation and illusion. She strives to empty, deconstruct and reframe in order to reveal the artificiality of the modern world. Based on long research, her photographic practice questions the making of the image, whether it comes from the world of entertainment or science, and its staging through a social and documentary objective that tends towards abstraction. With her camera, she takes us into the reverse side of the image. The concept of the laboratory thus guides all her work in a style that is more and more refined and stripped down, playing on the potential of the image to amaze.

Laboratories / Observatories
Laboratories / Observatories
Laboratories / Observatories
Laboratories / Observatories
Laboratories / Observatories
Laboratories / Observatories
Laboratories / Observatories
Laboratories / Observatories
Laboratories / Observatories
Laboratories / Observatories
Laboratories / Observatories
Marina Gadonneix

Laboratories / Observatories

42,00 €

This large-format monograph presents the work of French photographer Marina Gadonneix on the occasion of her solo exhibition at the Centre Pompidou in Paris. The visual corpus, composed of her most important series, is accompanied by critical texts by Florian Ebner and Marcelline Delbecq, as well as an interview with the artist. At the beginning and end of the book, an iconographic atlas displays a set of scientific and artistic images that inspire the artist’s practice and shows the research carried out before each project.

Marina Gadonneix questions the various representations of reality and inscribes her work between fiction and reality, materiality and immateriality, simulation and illusion. She strives to empty, deconstruct and reframe in order to reveal the artificiality of the modern world. Based on long research, her photographic practice questions the making of the image, whether it comes from the world of entertainment or science, and its staging through a social and documentary objective that tends towards abstraction. With her camera, she takes us into the reverse side of the image. The concept of the laboratory thus guides all her work in a style that is more and more refined and stripped down, playing on the potential of the image to amaze.

Softcover

24,5 x 31 cm
104 pages

217 colour and B&W photographs

 

Texts

Florian Ebner

Marcelline Delbecq

Interview with Marina Gadonneix conducted by Florian Ebner and Matthias Pfaller

 

Copublished with the Centre Pompidou, Paris

 

This book has received the precious support of Christophe Gaillard Gallery, Paris

And of the French Institute Alliance Française (FIAF), New York

 

Exhibitions 

Lynne Cohen/Marina Gadonneix

Laboratoires/Observatoires

Centre Pompidou, Paris

From April 12 to August 28, 2023

 

Marina Gadonneix. Phénomènes

FIAF Gallery, New York

From April 20 to May 23, 2023

Link to the video bookflip

ISBN : 978-2-36511-363-2

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