This monograph spans more than forty years of Paz Errázuriz’s work, a major figure in Chilean photography. From the very first series created in the 1970s to the most recent and unpublished, such as Ñuble, Próceres and Sepur Zarco, Paz Errázuriz's images demonstrate a feminist and social commitment. The photographer looks at the invisible, those who live on the margins; a body of work which resonates all the more strongly today as it echoes the upheavals of current society. Her long-term work allows her to build strong relationships with her models, women and men posing proudly, sometimes abandoning themselves, giving access to a part of their intimacy.