Born in 1966 in Paris. Patrick Tournebœuf belongs to the Tendance floue collective of photographers. He portrays men by photographing the traces they leave behind them, the places they bring to life and, sometimes, abandon. Using a large-format camera, his method, resolutely artistic, systematic, recounts times past and present.

He started by working on the monumental aspect of the Paris périphérique, with a series that is both nocturnal and contemplative, as opposed to the more classic photographs of the well known circular belt. In the year 2000, his next series entitled Huis-clos (Behind Closed Doors) was based on the everyday life of new recruits into the French Navy, at the Naval Instruction Centre of Querqueville. The same year, he explored sea side resorts when completely out of season. This became the starting point of a series entitled Nulle part (Nowhere). Next came Cicatrice (Scar), a documentary on the remnants of the Berlin Wall, and À la mémoire du jour J (In Memory of D-Day), depicts the beaches in Normandy where the Allies landed. Two facets of an art project that feeds a memory which tends to forget, also taking into account the altering effect of time. Since 1999, he has been working on a photographic research project for the French Ministry of Culture, on several historic monuments: the Grand Palais, the Château de Versailles and the National Archives.